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Oliver Twist; or, The Parish Boy's Progress, is the second novel by English author Charles Dickens. It was originally published as a serial from 1837 to 1839 and as a three-volume book in 1838.
Inside the book
- Free nowno account · 1 chapter
- 1Chapter 16 min
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- 2Treats of Oliver Twist’s Growth, Education, and Board22 min
- 3Chapter 318 min
- 4Chapter 415 min
- 5Chapter 523 min
- 6Chapter 610 min
- 7Oliver Continues Refractory14 min
- 8Chapter 818 min
- 9Chapter 913 min
- 10Chapter 1010 min
- 11Chapter 1116 min
- 12Chapter 1219 min
- 13Chapter 1316 min
- 14Chapter 1422 min
- 15Chapter 1514 min
- 16Chapter 1620 min
- 17Chapter 1719 min
- 18Chapter 1817 min
- 19In Which A Notable Plan Is Discussed and Determined on20 min
- 20Wherein Oliver Is Delivered Over to Mr. William Sikes17 min
- 21The Expedition12 min
- 22The Burglary15 min
- 23Chapter 2316 min
- 24Chapter 2411 min
- 25Wherein This History Reverts to Mr. Fagin and Company13 min
- 26Chapter 2626 min
- 27Chapter 2715 min
- 28Looks After Oliver, and Proceeds with His Adventures20 min
- 29Chapter 298 min
- 30Relates What Oliver’s New Visitors Thought of Him13 min
- 31Involves A Critical Position23 min
- 32Of the Happy Life Oliver Began to Lead with His Kind Friends19 min
- 33Chapter 3318 min
- 34Chapter 3420 min
- 35Chapter 3515 min
- 36Chapter 365 min
- 37Chapter 3721 min
- 38Chapter 3820 min
- 39Chapter 3930 min
- 40A Strange Interview, Which Is A Sequel to the Last Chamber13 min
- 41Chapter 4120 min
- 42Chapter 4221 min
- 43Wherein Is Shown How the Artful Dodger Got into Trouble22 min
- 44Chapter 4414 min
- 45Noah Claypole Is Employed by Fagin on A Secret Mission7 min
- 46The Appointment Kept20 min
- 47Fatal Consequences14 min
- 48The Flight of Sikes19 min
- 49Chapter 4920 min
- 50The Pursuit and Escape23 min
- 51Chapter 5127 min
- 52Fagin’s Last Night Alive18 min
- 53And Last8 min
The opening
Chapter 1
Among other public buildings in a certain town, which for many reasons it will be prudent to refrain from mentioning, and to which I will assign no fictitious name, there is one anciently common to most towns, great or small: to wit, a workhouse; and in this workhouse was born; on a day and date which I need not trouble myself to repeat, inasmuch as it can be of no possible consequence to the reader, in this stage of the business at all events; the item of mortality whose name is prefixed to the head of this chapter.
For a long time after it was ushered into this world of sorrow and trouble, by the parish surgeon, it remained a matter of considerable doubt whether the child would survive to bear any name at all; in which case it is somewhat more than probable that these memoirs would never have appeared; or, if they had, that being comprised within a couple of pages, they would have possessed the inestimable merit of being the most concise and faithful specimen of biography, extant in the literature of any age or country.
Although I am not disposed to maintain that being born in a workhouse, is in itself the most fortunate and enviable circumstance that can possibly befall a human being, I do mean to say that in this particular instance, it was the best thing for Oliver Twist that could by possibility have occurred. The fact is, that there was considerable difficulty in inducing Oliver to take upon himself the office of respiration,—a troublesome practice, but one which custom has rendered necessary to our easy existence; and for some time he lay gasping on a little flock mattress, rather unequally poised between this world and the next: the balance being decidedly in favour of the latter. Now, if, during this brief period, Oliver had been surrounded by careful grandmothers, anxious aunts, experienced nurses, and doctors of profound wisdom, he would most inevitably and indubitably have been killed in no time. There being nobody by, however, but a pauper old woman, who was rendered rather misty by an unwonted allowance of beer; and a parish surgeon who did such matters by contract; Oliver and Nature fought out the point between them. The result was, that, after a few struggles, Oliver breathed, sneezed, and proceeded to advertise to the inmates of the workhouse the fact of a new burden having been imposed upon the parish, by setting up as loud a cry as could reasonably have been expected from a male infant who had not been possessed of that very useful appendage, a voice, for a much longer space of time than three minutes and a quarter.
As Oliver gave this first proof of the free and proper action of his lungs, the patchwork coverlet which was carelessly flung over the iron bedstead, rustled; the pale face of a young woman was raised feebly from the pillow; and a faint voice imperfectly articulated the words, "Let me see the child, and die."
The surgeon had been sitting with his face turned towards the fire: giving the palms of his hands a warm and a rub alternately. As the young woman spoke, he rose, and advancing to the bed's head, said, with more kindness than might have been expected of him:
"Oh, you must not talk about dying yet."
"Lor bless her dear heart, no!" interposed the nurse, hastily depositing in her pocket a green glass bottle, the contents of which she had been tasting in a corner with evident satisfaction.
"Lor bless her dear heart, when she has lived as long as I have, sir, and had thirteen children of her own, and all on 'em dead except two, and them in the wurkus with me, she'll know better than to take on in that way, bless her dear heart! Think what it is to be a mother, there's a dear young lamb, do."
Apparently this consolatory perspective of a mother's prospects failed in producing its due effect. The patient shook her head, and stretched out her hand towards the child.
The surgeon deposited it in her arms. She imprinted her cold white lips passionately on its forehead; passed her hands over her face; gazed wildly round; shuddered; fell back—and died. They chafed her breast, hands, and temples; but the blood had stopped forever. They talked of hope and comfort. They had been strangers too long.
"It's all over, Mrs. Thingummy!" said the surgeon at last.
"Ah, poor dear, so it is!" said the nurse, picking up the cork of the green bottle, which had fallen out on the pillow, as she stooped to take up the child. "Poor dear!"
"You needn't mind sending up to me, if the child cries, nurse," said the surgeon, putting on his gloves with great deliberation. "It's very likely it will be troublesome. Give it a little gruel if it is." He put on his hat, and, pausing by the bed-side on his way to the door, added, "She was a good-looking girl, too; where did she come from?"
"She was brought here last night," replied the old woman, "by the overseer's order. She was found lying in the street. She had walked some distance, for her shoes were worn to pieces; but where she came from, or where she was going to, nobody knows."
The surgeon leaned over the body, and raised the left hand. "The old story," he said, shaking his head: "no wedding-ring, I see. Ah! Good-night!"
The medical gentleman walked away to dinner; and the nurse, having once more applied herself to the green bottle, sat down on a low chair before the fire, and proceeded to dress the infant.
What an excellent example of the power of dress, young Oliver Twist was! Wrapped in the blanket which had hitherto formed his only covering, he might have been the child of a nobleman or a beggar; it would have been hard for the haughtiest stranger to have assigned him his proper station in society. But now that he was enveloped in the old calico robes which had grown yellow in the same service, he was badged and ticketed, and fell into his place at once—a parish child—the orphan of a workhouse—the humble, half-starved drudge—to be cuffed and buffeted through the world—despised by all, and pitied by none.
Oliver cried lustily. If he could have known that he was an orphan, left to the tender mercies of churchwardens and overseers, perhaps he would have cried the louder.
About the author
Charles Dickens
1812 Landport – 1870 · English novelist and social critic
Charles John Huffam Dickens was an English writer and journalist. He created some of literature's best-known fictional characters, and is regarded by many as the greatest novelist of the Victorian era.
- 1812Born, Landport
- 1836The Pickwick Papers
- 1837Oliver Twist
- 1839Nicholas Nickleby
- 1840The Old Curiosity Shop
- 1840Barnaby Rudge
- 1870The Mystery of Edwin Drood
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